Archive

Archive for the ‘Audiobook: Overdrive Media’ Category

8. “Misery,” Stephen King

January 14, 2011 4 comments

Big time author Paul Sheldon celebrates finishing a new book– the first since he killed off the character, Misery CHastaine, who made him famous, but whom be grew to hate– with a bottle of champagne behind the wheel of his car in a blizzard. When his car spins out of control, he is pulled from the wreckage by Annie Wilkes, his number one fan. Annie nurses Paul carefully back to health, treating him as best she can with his badly mangled legs. Soon, though, Paul realizes that she is a dangerously ill woman and as her mental health slips, he finds himself more and more under her power. The two are locked into a battle of minds and wills Paul cannot afford to lose.

I meant to go to sleep more than an hour and a half ago. But I still had that much time left in this audio book and I could. not. stop. I legitmately let out a small, dry sob of terror somewhere near the end of the book. Okay, twice. Maybe three times. And there was one moment where I was so dizzy with fright I thought I might faint. I sunk my entire day into this book and don’t regret it.

If you listen to this audiobook, which I highly recommend, definitely listen to the version read by Lindsay Crouse, which is really well done and gives Kathy Bates a run for her money.

Page count: 352

Page total: 2,217

Advertisements

4. “Blindness,” José Saramago

December 3, 2010 Leave a comment

José Saragamo’s Blindness begins at an amber light. In a traffic-congested road in an unnamed city in an unnamed country, an unnamed man sits in his car, staring at a traffic light that goes from amber to red– and then suddenly to white. The man, who never so much as wore glasses in his life, has gone suddenly and inexplicably blind. It’s not a normal blindness, that of darkness or lack of light, but a ghostly white blindness unlike any anyone has seen before. It spreads, slowly at first: from the first blind man to the man who offers to help him home only to steal his car, to the first blind man’s wife, to a police officer who finds the thief screaming, to a taxi driver who transports the first blind man and his wife to the ophthalmologist’s office, to the patients of the ophthalmologist, to the ophthalmologist– but not to his wife. As one by one, everyone connected to this white blindness becomes blind themselves, the governance of the city decides that they must quarantine the blind and infected in an old mental hospital guarded by the army until the cause of their malady can be determined. Quickly, the situation begins to spiral out of control as the internees rapidly lose not only their sight but their humanity.

I just wrote a paper about how this book sucks, so I kind of don’t feel like doing it again, but here’s my thesis paragraph:

I shall examine how this novel constructs blindness metaphorically, exploring the links Saramago draws between physical and moral blindness, sight and humanity. I shall then explore the problems with employing disabilities as metaphors, and how this common trend speaks to the ways in which disability haunts our culture. In doing so, I hope to tease out the ableism upon which stories such as these are predicated, in the belief that doing so is the necessary first step to expelling these traits.

Add to that some Foucault/Heterotopia and you have a surprisingly-decent paper.

Page count: 352
Page total: 1,341

68. “The Haunting of Hill House,” Shirley Jackson

October 25, 2010 Leave a comment

Two women with a history of experiences with the supernatural are drafted by a doctor into spending their summer at a house with a reputation as haunted. They are joined also by the heir to the house and, eventually, by the doctor’s wife and her assistant. Quickly, the house begins to plot against them: closing the doors they leave open so they can find their way through its labyrinthine halls, pounding on their doors at night, writing their names on the walls and then washing them clean. As the house focuses its attention on simple mousey Eleanor, the others must find a way to get her out before it is too late.

This book actually scared the bejesus out of me. I strongly recommend the audio version, which is wonderfully atmospheric. It’s a quick read, and good for a dark and stormy night with the threat of a power outage. For my part, my roommate’s dog started randomly barking just after there was banging on the doors of the House. Then the barking turned into growling– and finally yelps before I swooned and dragged myself to the kitchen where I discovered he was freaked out by a crepe witch hung over the oven.

Nice work, dog.

Page count: 246
Total pages: 20,079

63. “I Am America and So Can You,” Stephen Colbert

September 30, 2009 Leave a comment

Very much like the show. I like audiobooks that are read by the author and this one was particularly good because Stephen has a very strong voice. If you’re familiar with Colbert, you hear him when you read his stuff anyway.

Page count: 240
Page total: 24,539

60. “World War Z,” Max Brooks

September 15, 2009 3 comments

This audiobook had a full cast reading it, which was really awesome for an oral history. It also had some creepy atmospheric music (like “The Haunting of Hill House,” which expired before I could finish it, so this may be its only mention). My favorite of the histories was the pilot whose plane crashed in the bayou. I usually listen to the book while I’m waiting to fall asleep (an endevour that often takes an hour or more), and this one was so vivid. I don’t typically get pictures in my head while reading, but I could see that one.

Brooks did a good job capturing the voices of people in many different cultures (though the voice actresses and actors may have helped, too).

I’d really recommend both the book and audiobook.

Page count: 352
Page total: 23,972